«Études for Augmented Piano» at FIFA 2023!
Press
“Hear [the Duo Kalysta] if you can, either in concert or this way.”
— Gorman, American Record Guide
May-June 2020 (about the recording Origins)
“Deutsch, a player who can soften or strengthen her handsome tone according to need, is very much in the first chair.”
— Arthur Kaptainis, La Scena Musicale
February 2020
"Deutsch revealed new worlds of colour and meaning in every single note ... an astonishing artist"
— Scott Tresham, Senior Producer at CBC Music
“Hear [the Duo Kalysta] if you can, either in concert or this way.”
— Gorman, American Record Guide
May-June 2020 (about the recording Origins)
“Deutsch, a player who can soften or strengthen her handsome tone according to need, is very much in the first chair.”
— Arthur Kaptainis, La Scena Musicale
February 2020
"Deutsch revealed new worlds of colour and meaning in every single note ... an astonishing artist"
— Scott Tresham, Senior Producer at CBC Music
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Programmes and Projects
Audio
Discography
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About Eve Egoyan
Eve Egoyan is a Armenian-Canadian artist whose medium is the piano. Her intense focus, command of the instrument, insightful interpretations, and unique programmes welcome audiences into unknown territory. She has recorded twelve solo CDs which have received accolades including "Best Classical" The Globe and Mail (1999) for her first solo CD, one of “Ten Top” classical discs, New Yorker magazine (2009), and “Top Classical Disc of the Year”, The Globe and Mail (2011). Presently, Eve is creating works combining acoustic piano and augmented piano, using new technologies to delve into the space Eve describes as “what a piano can do” and “what I wish a piano could do”. The creation of this enhanced piano opens new colour worlds for the piano. The source sound are the piano’s but modified. Eve works to improve gender equity in the world of contemporary music performance as a performer and as a voice in the community. She is one of Canada’s primary ambassadors for Canadian music abroad.
Eve Egoyan est une artiste arméno-canadienne dont le médium est le piano. Sa concentration intense, sa maîtrise de l'instrument, ses interprétations perspicaces et ses programmes uniques accueillent le public en territoire inconnu. Elle a enregistré treize CD en solo qui ont reçu des éloges, notamment "Best Classical", The Globe and Mail (1999) pour son premier CD solo, un des "Ten Top" disques classiques, New Yorker magazine (2009), et "Top Classical Disc of the Year", The Globe and Mail (2011). Actuellement, Eve crée des œuvres combinant piano acoustique et piano augmenté, en utilisant les nouvelles technologies pour explorer l'espace qu'elle décrit comme "ce qu'un piano peut faire" et "ce que j'aimerais qu'un piano puisse faire". La création de ce piano augmenté ouvre de nouveaux mondes de couleurs pour le piano. Eve travaille à améliorer l'équité entre les sexes dans le monde de l'interprétation de la musique contemporaine, en tant qu'interprète et en tant que porte-parole de la communauté. Elle est l'une des principales ambassadrices de la musique canadienne à l'étranger.
Videos
Press
"Egoyan’s genius of being able to embody and translate notation into her own expression brought the work to life such that it felt like the two creators were merged into one."
— The Whole Note, Wendalyn Bartley, June 2018
“With her fearless imagination, boundless sense of adventure and brilliant technique, Egoyan pushes beyond what seems possible on the piano. Floating melodies, expressive rhythmic shapes and ringing intervals plucked from the harmonic series weave a contemplative mood in both works, though disruptive undercurrents do intermittently surface.”
— The Whole Note, Pamela Margles, April 2018
“Egoyan displays an easy, unhurried flow of musical thought that seems to contradict the score from which she plays.”
— MusicWorks, René Van Peer, 2018, About Maria de Alvear Recording
"Le génie d’Egoyan de pouvoir incarner et traduire la notation musicale de manière si personnelle a donné vie à l’œuvre de telle sorte que les deux créateurs ont été fusionnés en un seul."
— The Whole Note, Wendalyn Bartley, Juin 2018
“Avec son imagination sans peur, son sens de l'aventure sans bornes et sa technique brillante, Egoyan va au-delà de ce qui semble possible au piano.”
— The Whole Note, Pamela Margles, Avril 2018
“Le jeu d’Egoyan se tient au point de rencontre entre le son et le silence, il fait entendre le trait d’union entre absence et présence… La grâce dont est empreinte l’interprétation d’Egoyan s’allie à cette alchimie remarquable et récurrente qui garde fraîche et vivante la musique de piano en dépit du poids intimidant de son histoire.”
— MusicWorks, Julian Cowley, 2016
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