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Kim Kashkashian - Article in The Strad
Jeremy Gill - Dallas Observer review of Jeremy Gill's Serenada Concertante
Arditti Quartet - Highlights
artist_pict Marina Thibeault

Artist page
Toquade review in La Scena
June 9, 2017, 12:00 am

With the first recording of her career, violist Marina Thibeault strikes a balance ­between spirited and sentimental, tradition and innovation, accessibility and abstraction, leaving us with a clear and compelling understanding of the breadth of both the repertoire and the instrument itself. Thibeault has a sensitive but firm touch, painting long lines in which sounds become ideas. The disc opens with the Valse sentimentale from Tchaikovsky’s Six Pieces Op. 51. The transcription of the piece, originally written for piano, highlights the thematic binaries – the dark timbre of the viola combined with Thibeault and Fung’s flexible phrasing gives an aching sense of suspended time. Stepping back several decades with Mikhail Glinka’s Sonata in D minor for viola and piano, the duo finds sophistication in a work written when the composer was only in his early twenties. The movement, Allegro moderato – which posthumously became isolated from the incomplete sonata to become a standalone piece – is an exercise in a traditional Classical form, but also exhibits an idiomatic sensibility to the viola unique to Glinka...

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